The base model KX-R is also available with either five or seven seats, whilst the latter grades are seven seaters only. Specifications are mostly similar to the US Highlander, sharing the same 3. However, there are no plans at present to introduce a hybrid version of the Kluger into the Australian market. For , Toyota added a new 2.
It generates hp 5, RPM and lb. The Kluger Hybrid features Toyota's Hybrid Synergy Drive which allows an electric only powered mode for short distances and speeds. Weight, cost, and fuel economy have been improved over the previous hybrid. The expanded size and new features have led to an increase of pounds to its curb weight. The hybrid continues to use the same 3.
The system integrates full-time four-wheel drive with intelligence, electronic brake and throttle control, and true electronically-controlled active steering. Retrieved on February 7. JB car pages. Retrieved on July 17, Retrieved on February S: Highlander to Indiana; all Tundra to Texas".
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Main page Recent changes Random page Help. Toyota Motor Corporation. Service Manual. While the exterior styling is similar, the new Crown SUV differentiates from the Highlander in many things. Of all, the front fascia looks much better with a more attractive black painted grille and shaped headlights.
The badge on the nose helps us to identify Crown Kluger from a distance. Inside, the forthcoming Toyota Crown Kluger will be exactly like the Highlander.
It offers a very spacious cabin and comfortable seats, even the cloth-covered ones in the entry-level model. However, upper trims like on the Highlander bring the stitched leather and many amenities.
In , the silent film Der Shylock von Krakau was released with a script by the Austrian author and critic Felix Salten, the author of Bambi , and its protagonist portrayed by the Austrian actor, Rudolph Schildkraut. Abandoned there by her lover, the daughter had become a beggar to support herself. The father rejects the lost daughter, but finally forgives her on his death bed. Indeed, press reports about Jewish female runaways in Galicia left their trace on works of many contemporary authors, playwrights, and even filmmakers.
The book tells the story of Arnold Ansorge, who, while living in the Moravian village of Podolin meets Samuel Elasser, a poor Jewish peddler, and learns from him that his thirteen-year-old daughter Jutta was kidnapped by Felician nuns and held in a convent against her will. Upon hearing this, Ansorge decides to help Elasser to get his daughter back, especially since the law alone had failed to achieve the justice he deserved. Ansorge later travels to Vienna for the same purpose, but while in the big city—the modern day Moloch—he is lured by the worldly pleasures it offers and forgets his original commitment to seek justice for Elasser.
Afflicted with guilt after his life takes a turn for the worse, Ansorge compensates Elasser with a significant sum of money and subsequently commits suicide. A different approach to the Araten affair was taken by Shmuel Yosef Agnon who was born and raised in Buczacz, Galicia. Agnon was likely familiar with the Araten case as it unfolded, since in he published a short poem on the problem of female education. Like the contemporary Hebrew newspapers, Agnon looked for the root of the problem of the rebellious daughters within Jewish society.
Before she dies, Tehilla asks a young writer to compose in Hebrew her life story, which she proceeds to recount in Yiddish. Her father had broken off their arranged engagement after he discovered that Shraga was a Hasid. Those tragedies included the death of her husband and her two sons, and an unclear incident involving her daughter. The character of Tehilla appears to be based in part on Israel Araten, who settled in Jerusalem in the early twentieth century and died at a ripe old age.
Agnon scatters hints to the historical origins of the story in several places, especially in the words of the other characters in the story. The writer, who is also the narrator of the story, is curious about Tehilla and keeps begging the rebbetzin to tell him more about her:. Another character in the story, the sage, is a son of a mother who knew Tehilla abroad, and Agnon puts in his mouth another hint.
Other contemporary literary works focused on the plight of Galician village girls like Debora Lewkowiecz. In the theatrical version, the Jewish woman elopes with her lover after her mother reveals to her the identity of her groom-to-be, a Jewish yeshiva student, and the date of her impending marriage.
Unlike the story on which it was based, the play ends happily for the Jewish audience, with the young woman returning to her family and her faith. The parents invite him to their house for the Passover Seder.
After the meal the parents get ready to go to sleep, but the two young people start reading the Song of Songs as is customary on Passover night. When in his bed, Solomon Jacob, who was used to sleeping on a bench in the house of study, admires the many pillows and crisp sheets, while whispering verses from the Song of Songs:.
The responsibility for the failed engagement, implies Agnon, lies not with the young woman but with the Talmud student. In commenting upon the unhappy ending, the narrator asks:.
Pepa Singer, who was born in , lacked a formal secondary education. Pepa Singer considered conversion to Christianity as a young woman, but her mother asked her not to do so as long as her father was alive.
She finally converted in In Wesele the Jewish tavernkeeper boasts of his daughter Rachel to the poet bridegroom:. She in turn appreciates his liberality and is not ashamed of him:. Bronowski, a secular Jew, wanted the Jewish character in a Polish play to be proud of her tradition; he even considers the representation of Rachel to possess a certain streak of anti-Semitism.
One may speculate that Agnon, an observant Jew from Galicia who knew what Orthodox women faced during that period, would have disagreed. The Kluger affair is the basis of a novel by the Jewish feminist writer, Aniela Kallas pen name of Aniela Korngut, , the only female author who wrote about the runaways during this period.
The novel is about the travails of a young Jewish woman, Malcia Klinger, who is torn between her family and her yearning for academic inquiry, which her family, especially her mother, opposes.
Kallas bases Malcia Klinger largely on Anna Kluger and preserves in the novel almost all the elements of the Kluger affair as reported in the press. Contemporary readers who had followed the Kluger case in the press would immediately recognize its affinities with the novel. This differs from the aforementioned literary works in which the mothers of the runaways play little or no role; the voices we hear are those of the fathers.
In many runaway cases, the heartbroken mothers lacked the knowledge or ability to deal with the situation in the outside world, and they relied on their husbands to carry on the fight for the return of the daughters. As we have seen, she took an active role in the conflict with her daughter, insisting that she stop her education, enter into an arranged marriage, and after she did that, perform her marital duties as a Hasidic wife. He replies that he can understand the wish to train in a profession that will provide her with a better job and livelihood, but not a wish to study for no practical purpose.
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